Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Monday, August 20, 2012

PaperDolls' present Constellations: ABSOLUT Fringe 2012

I've been utterly neglectful of my blog over the last few months/ year. The reasons for this are varied and valid. PaperDolls has taken over my life, pretty much, and it's a good complaint. Since moving back to Dublin after 9 months working and training in Belfast, the productions and plans have been coming hard and fast. I feel that, like a dynamo, PaperDolls were storing up ideas and energies in Belfast, only for this energy to be unleashed in and onto Dublin. 

Constellations will be PaperDolls most ambitious show to date. A completely original production, it incorporates intensive ensemble corde lisse choreography, physically challenging trapeze work and Shibari - the tradition of Japanese rope bondage, used in this production as a new aerial apparatus for suspending swinging bodies. Constellations will also be PaperDolls first socio-political production, addressing personal and political issues we feel connected to and strongly about. Most primarily, it's about the right to live as one chooses, living actively, living critically and living beyond imposed expectations of what the norm is, including physical, sexual, and psychological norms. Constellations imagines adulthood as if all the vastness of childhood could remain intact in all us grown-ups and  questions why this is not the case. Constellations acknowledges the difficulty of negotiating one's adulthood in the world, and explores freedom within restriction and vigor within monotony. In another way, Constellations is about digesting all that has come before and is a ritual of passing so that something new and wise can emerge from a place of consciousness, honesty, strength, vulnerability, compassion, solidarity and play. 

Constellations acknowledges the limitless interconnectedness of the universe. Between me and you, each performer, performer and each audience member. In a way, Constellations is how we make our  art - drawing on multi-faceted elements to produce a cohesive work. It's like working out equations. There is connectedness to be found in every circumstance and answers to be found in the universe for each searching mind. These answers will not all be scientific, we are more than chemistry, but physicality and chemistry play a huge part in the human story. Our desire, our intention. Magic, divinity and marvel also play important roles.

Constellations is illustrative of the processes of personal illumination and the difficulties of survival. Constellations is physical: we play with boundaries, our abilities and relationships. We play with rules and perception. We play.

More information and tickets: 

Photos: Malcolm McGettigan
Rope: Dommy Darko
Creative Direction: Emily Aoibheann
Location: Occupied bank, Belfast & Catalyst Arts, Belfast






Find yourself without sleep, eye-up strangers in the street. Face caked in muck, smacked with a rope, screaming till our heads spin off. Smashed paint in grass, got dirty knees, conducting rituals on your housing estate green. Radiating magic, laughing, hissing, we mingle with the night and cry; it's alright. We attempt honesty, we attempt trust, we attempt vulnerability, we attempt forgiveness. We attempt survival. We risk everything. We are constantly open and ready for anything. A shamanic trip seeking truth and necessity in suspended territory of uninhibited youth, energy, physical ability and ropes. PaperDolls present Constellations, a visceral and bold statement of intent which divides our eternal truths from the superficial variations.

They came out of nowhere last year with their eponymous debut. This ferociously talented collective are out to take over the world — Róise. (Director, ABSOLUT Fringe)

Thursday, August 25, 2011

Government folly: Cycling the famine road.

It's been awhile since I've felt compelled in any genuine way to comment on Irish politics, but recently that urge has been getting stronger. With all that has been happening, most of which I have been actively ignoring so as to maintain some sort of stable mental health at this busy time in my life, it took an article on bicycle lanes in today's Irish Times [Thurs, 25th Aug 2011] to make me want to express myself. And so.

Ireland, as the picture above perfectly depicts, has ridiculous, unmaintained cycle lanes. Now, Ireland's "department of transport" would like to invest €4 million in creating more cycle lanes, just like this one above, on national roads in rural Ireland. Despite rational objections from cycling lobbies arguing that it will be a waste of money and is in some cases "wholly inadvisable" the department is planning to forge ahead with it's €4 million 'employment initiative'. To quote the man James Nix of PlanBetter, "...the whole exercise is counter-productive". However, The department said that the suggested postponement of the €4 million scheme is misguided. The department seem quite open about the fact that they don't actually aim to improve cycling facilities at all, but what the investment does reognise is "the overriding need for employment generation given the current economic situation and it is not solely for cycling projects".

Ever hear of a famine road? Well, they are very interesting artifacts indeed. Allow me to quote a passage about famine roads from the aptly titled, Paddy's Lament: 1846 - 1847. Prelude to Hatred by Thomas Gallagher:

Ireland possessed within herself, in her thousands of acres of wasteland, the means of her own regeneration. But the money appropriated by the English government to Ireland's public works (money paid in taxes by Ireland to the English treasury) was not used to reclaim this uncultivated land. Instead it was spent on labour that the law decreed had to be unproductive - that is, on the construction of bridges and piers having no purpose or necessity and on roads that began where there was no need for them and lead to nowhere in particular.


Famine roads and 'follies' were built here during the Irish potato famine as a form of 'poor relief', to provide employment for peasants and unemployed artisans (wiki: folly). As Delores Curran points out in 'Treading the Famine Road' (1995): "Famine roads have existed in unjust cultures throughout time. Promise the victims of injustice relief and redress by inventing useless roles and activities that sap rather than strengthen". Unfortunately, The Irish Department of Transport seem to lack the understanding as to why their idea of spending €4 million on what appears to be a modern day famine road is a bad idea.

This, the wonderful Wonderful Barn in Kildare, is known as a folly, however, according to wiki, a central hole through each of the floors supports the theory that it may have been used as a granary. It makes a good folly though. If I was going to waste my time and energy building something that was supposed to appear useful but be completely useless, I would definitely build a Wonderful Barn. There should be a 'build your own folly' Fás course. Really though, employment initiative? Give me a break.

Photo: mroovka